SHELLY HUGHES
[INSERT CLEVER BIO TITLE HERE]
Shelly Hughes, Entrepreneur, Brand Architect & Agency Owner, has established herself as a trusted advisor and creative visionary to brands worldwide. She uses her talents & the talents of her team to grow the impact of purpose-driven brands. Shelly works exclusively with business leaders to create long-term growth strategies that position brands to expand both their profitability and global influence.
With a keen eye for connecting brand architecture and business savvy, Shelly is best known for her expertise in giving brands the clarity they need to make smart business and marketing decisions. She celebrates problem solvers and aims to assist them in growing profitable, purpose-driven businesses that can change the world.
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NIKAI MORALES
NIKAI MORALES
DIRECTOR + EDITOR
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[SLAY]
Nikai Morales [they/them] is a 23 year old director + editor + artist based on the east coast. They’ve always had interests in varying media and the way it affects everyday communication. Through their master’s Nikai had the opportunity to pursue research in social media virality. Attempting to learn how it affects the perceptions of people who have gone viral and people who have seen viral content. Nikai has produced 4 short films, and is currently working on an independent feature. They aspire to create narrative stories about interpersonal relationships and how they’re affected by the digital age of communication.
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ANDRES TORRES
[THE STORY IS EVERYTHING]
Andres has pursued mastery of movement to express flow, build energy, and create feelings of tension and climax. This dance of sympathy with the participant can be lead by camera movement. blocking, and choreography. Andres employs a wide range of tools to execute simple and complex camera movements in the most elegant ways possible. He helps DPs and Directors solve creative challenges and serve each shot with a spirit of curiosity and ingenuity. He’s mastered over 30 specialized camera movement techniques – some industry standard, some completely custom.
While he appreciates trends, and knows how to execute them technically, he does not chase them. Emotional tones like grace, playfulness, sinister, and noble are timeless and best expressed in ways that’s unique to each scene. If there’s something that maintains meaning in his work after time has passed, he believes he’s accomplished something worthwhile.
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KEN GRIFFEY JR.
KEN GRIFFEY JR.
BILL COLLECTOR
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[RUFF, RUFF, BARK]