JTWO Welcomes Michael Robles

MICHAEL ROBLES


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By Michael Robles

Imagine you’ve just finished a long day at the o5ice. You’ve come home to start cooking dinner and start settling down for the evening. Now – imagine your eight-year-old son absolutely yapping your ear o5 about every single known fact about the Titanic at the dinner table. Well, this was the reality for my parents. I mention this because – as you could probably guess – the Titanic was what got me into filmmaking. I was obsessed, and I mean obsessed, with the story of the ship, and so my little eight-year-old brain decided that if grown adults with millions of dollars could make a story about the ship, then so could I – obviously. So that’s what I did – I had a full shipyard in my living room, producing models of the Titanic out of cardboard and construction paper for all my shoots. Mind you – I’m shooting a ship’s sinking, so naturally, there were plenty of versions of my ship. I made so many versions of the Titanic that it would put the real-life Harland & Wol5 shipyard to shame. Now, at this point of the story, we’re still in the pre-production stage of my film, even though my little eight-year-old self wouldn’t understand what that meant for another decade or so. I would test, plan, test again and eventually I was ready to shoot. Luckily – my mom had a phone with a camera and iMovie, which was all I needed. So as the young producer, director, dp, and editor that I was, created my first movie: The Sinking of the Titanic (in my kitchen sink). It was a hit! All the aunts, uncles, grandparents, etc. got copies and loved it (or so they said). All of this is to say that, even from a young age, I was practicing the workflow of a storyteller and specifically, a filmmaker.

Since then, I decided that I should take filmmaking much more seriously and go to school to learn from professionals, which has worked out well for me. I was fortunate enough to be accepted into the cinematography concentration at Temple’s film school during my sophomore year, and since then, I’ve learned and grown very quickly as a DP. I was fortunate enough to have the chair of the cinematography department invite me to the program and teach me so much along the way. I absolutely love talking about cameras, lenses, codecs, etc. (and could do so for hours), so this is definitely the niche for me.

Michael is a student at Temple University, pursuing a degree in Film & Media Arts with a concentration in cinematography. In addition to his academic pursuits, he is the founder of Robles Media, a growing video and photography production company. He oversees all aspects of the business, including client acquisition, creative direction, contract negotiations, and social media marketing. Through Robles Media, he collaborates with brands and artists to produce compelling visual content across short-story narrative, commercial, and live-event genres.


JTWO Welcomes Sophie Hamel

SOPHIE HAMEL


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All Grown Up


By Sophie Hamel

Growing up, I played nearly every Pokemon game on my DS with my brother. I would always get lost in the caves and complain to him that it was too hard. Without hesitation, he would grab my DS out of my hands and get me out of any sticky situation. I still think to this day, I have not beaten more than two whole games by myself, but it was still a lot of fun. This sparked my first dream to become a game designer. However, I realized the amount of programming that is required for this profession, so I decided to stick to losing ranked games with my friends.

As I got older, I started to watch movies, specifically animated movies that my mom would put on like Ponyo and Kubo. All of the motion, colors, and personality behind characters that were not real people felt magical to watch since she would not allow me to watch Spongebob because it would “rot my brain.” It was like a drug. This sparked my undying loyalty to the art of animation that inspires much of my work till this day, and of course, I wanted to then become an animator. I quickly pivoted from this because I realized I was not stellar at drawing and too lazy to learn these overcomplicated softwares.

I was left at a mid-life crisis (I was 14), not knowing what I wanted to be when I grew up. I couldn’t become a professional athlete because although I was a strong defender in soccer, I was not fast enough to chase down the track stars (14 year old boys). I couldn’t become an astronaut or scientist because my brother took all of the smart genes. After years of questioning who I was going to become in the future, I finally landed on what I wanted to do. I wanted to edit anime scenes on Instagram. Unfortunately, there was not a major for that in college, so I settled on becoming an editor, which is ironic because Premiere Pro is also an overcomplicated software.

Now, in the present, I am finally comfortable in my own skin and talent. My time following the post production track at Temple University has reassured me that this is what I want to do now that I am almost all grown up. I love collaborating with directors to bring their visions to life and being on set as DIT or as Scripty. Since I am an editor and live in a dark cave accompanied by my two monitors normally, I am super excited to take a more pre-production approach during my time at JTwo and go outside! I am looking forward to expanding my skills and connections for this term and I am sure I will continue to grow, but hopefully this time I don’t pivot back to being a professional athlete.

Sophie Hamel is a senior at Temple University who is graduating in 2026 with a Film and Media Arts BA with Post Production Concentration. She is from Easton, PA and is currently based in Philadelphia. She has experience with multiple editing and non-editing internships, working at the equipment office at Temple University, and collaborating with NBC for Wicked: For Good promotion. She is an editor, assistant editor, colorist, and sound mixer.


JTWO Welcomes Jingyi (Helen) Li

JINGYI (HELEN) LI


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Carrying Stories, Inch by Inch


By Jingyi (Helen) Li

When I think about storytelling, I don’t imagine grand revolutions or overnight changes. Instead, I picture movement—slow but steady, inch by inch. I believe every storyteller holds the power to push the world slightly in a positive direction. A single film may not instantly change someone’s mind, but stories accumulate. One voice joins another, and together they move us further than we could alone.

This belief is what anchors me as a filmmaker. Ironically, even as my heart belongs to stories, I’m currently pursuing a Master of Behavioral Decision Sciences at the University of Pennsylvania. Why? Because I care about the real obstacles that stories face in reaching audiences. Stories don’t just live in a vacuum; they collide with economics, psychology, and access. My experiences as a student producer and as a distribution intern taught me that producing and strategy matter just as much as creativity. Supporting filmmakers, breaking down barriers, and connecting stories with the people who need them is where my passion lies. I want to understand not just how to tell a story, but how people receive it.

That curiosity about reception also comes from my own journey across cultures. Growing up in Beijing, studying in Geneva, training in film production at Boston University, and working briefly in Hollywood all showed me how context shapes not just the stories we tell, but the way audiences respond. Later, at Menemsha Films, I worked with Jewish-centered storytelling in distribution and marketing, a completely new cultural lens that reminded me how cinema changes meaning depending on who is watching. These experiences taught me that stories are never static; they shift and take on new life as they cross borders, languages, and communities.

In Philadelphia, I found JTWO Films, a studio exploring the kinds of stories I care about, projects that combine creativity, strategy, and social impact. Seeing how their work connects with audiences reminded me why I am drawn to filmmaking that balances vision with real-world resonance.

It was this intersection between story, strategy, and culture that affirmed my passion for producing while also drawing me to explore directing, particularly in documentary. My short observational film, Pópo, emerged from a collaboration with the Good Shepherd Community hospice team and explored cultural nuances in end-of-life care. It was not only about documenting reality, but also about navigating taboos, bridging generational divides, and creating space for conversations people often avoid. Directing Pópo confirmed for me that filmmaking is both an art and an act of translation: shaping real experiences into stories that audiences from different backgrounds can connect with.

I don’t yet know exactly what my voice as a director will sound like years from now. But whether through producing, distribution, or documentary, my work will always sit at the intersection of storytelling and strategy, culture and human behavior. Because I believe stories are meant to be carried—like luggage, passed from one person to another—inch by inch, moving us toward something greater together.

Jingyi (Helen) Li is a filmmaker and producer whose work sits at the intersection of storytelling, strategy, and culture. She studied Film Production at Boston University and is currently pursuing a Master’s in Behavioral Decision Sciences at the University of Pennsylvania. With a background spanning Beijing, Geneva, Boston, and Los Angeles, she brings a global perspective to every project. Her work focuses on blending storytelling with social insight, exploring how culture shapes stories and how strategy bridges the gap between films and their audiences to create meaningful impact.


JTWO Welcomes Alex Vineburg

ALEX VINEBURG


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 Awesomesauce


By Alex Vineburg

When I was little, I would record vlogs under the name “Awesomesauce”. Every video would start the same with my intro that would go, “Hey Guys Awesomesauce Here”, and then I would go through the rest of the video. No matter the video, each of them started with my little spiel. There’s even a vlog where, shaking and sniffling, I still give the intro even though the power is out and there’s a blizzard outside. I would record my vacations, make stop motion animations, and even dabble in some short films. Needless to say, I was pretty cool (or Awesomesauce as some would say). 

So cool, in fact, that my parents decided to send me to a creative arts day camp where I got to make little movies with my friends! I found myself always wanting to do something out of the box that others would find fun. We made a ton of little projects, like Hannibalistic (the story of a coroner, a detective, and 3rd century Carthaginian general Hannibal). 

 Flash forward to middle and high school, I would always choose to make videos for projects if it was an option, would record little shorts with friends, and became more interested in photography. I remember one time I made some classmates recreate an episode of Bill Nye for a science project. I would always make the most of every project, and do the most I could. 

However when it came time for college prep, I sincerely thought I would be a graphic designer, even though I sucked at it and wasn’t really interested in it all too much. For a long time I genuinely didn’t really know what exactly I wanted to do, but something kept calling me back to film. So, I decided to take a film class senior year, which reminded me how much I loved working with cameras, but also in editing as well. That same year I began working as a freelance youtube editor as well! Everything kind of all came together at the right time, and looking back on it I don’t think it couldn’t have worked out better. 

At Drexel, I’ve made so many incredible projects with so many amazing people. I get to go to school to make movies with my friends, which I treasure every day. College has taught me so much in the world of film and how to work on a set. I am so excited to start this new chapter at JTWO! 

Based in the suburbs of Philadelphia, Alex is a filmmaker and student with a passion for cinematography and post production. He spends most of his freetime learning new programs and studying up on camera specs. He is a 3rd year student at Drexel University studying Film & TV, and has 5 years of freelance editing experience under his belt. He is excited to learn and grow as a filmmaker with his time at JTWO! 


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"WHERE GINGERS HAVE SOULS" BY KERRI SAGE

"WHERE GINGERS HAVE SOULS" 


Director: Keri Sage

Twisted Gingers is the success story of a Brewing Company opened in December 2019 in Northwest Philadelphia by Mark Mayer.

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Twisted Gingers Brewing Company opened in December 2019 in Northwest Philadelphia. Mark Mayer opened a place to share his love of beer, unknowingly right before a global pandemic shut things down- and for many small businesses, for good. But it launched this brewery into a whirlwind of success, thanks to the community surrounding it and the dedication of the owner.  Mark’s spirit and success inspired me to create “Where Gingers Have Souls”.

I think the biggest challenge while creating this film has been in the planning stages. Through the process, there were multiple communication issues with clients for previous [INC]ubator project ideas. Additionally, I encountered some technical difficulties as well as a learning curve with new programs such as Davinci.


MEET THE DIRECTOR

Kerri Sage is based in Philadelphia, PA. She is a film major at Temple University with a focus on Cinematography. With a background in photography, she decided to shift her focus to film. JTWO has encouraged and inspired her to learn more about coloring.

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

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"BLACK BOOK TO BURNER" BY EVA CHEESEMAN

"BLACK BOOK TO BURNER" 


Director: Eva Cheeseman

Exploring the world of street art in Philadelphia and why murals aren’t just a way to make walls look more exciting.

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Street artists face stigma in society, sometimes making it hard to make a living in an urban setting. This documentary is meant to shed light on the culture behind street art in Philadelphia and why murals aren’t just a way to make walls look more exciting. In Black Book to Burner, we will get to know some local artists and learn their experiences in this industry.

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MEET THE DIRECTOR

Eva is a rising senior at Temple University studying Film and Media Production. She had the opportunity to intern with JTWO Films this summer and learn more about all things production as well as create her own documentary start to finish. Moving forward, she wants to pursue professional edition and post production in digital media.

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

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"THE FLOCKS THE DAY YOU WERE BORN" BY SIENA TWISS

"THE FLOCKS THE DAY YOU WERE BORN" 


Director: Siena Twiss

The voice of Johnny’s dead mother reads a letter to her son; guiding him through his entire life. As she reveals herself as a soaring bird, we understand the everlasting love she has for her son.

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I chose to make this film because these types of projects are where I can get the most creative and have the most fun. This story came to me after writing a short monologue that eventually turned into the monologue read by the narrator. I think experimenting with film and different forms of storytelling is where you learn what is t you love about your craft. It is important to challenge yourself and I think this film challenged me in a number of ways that have helped me become a better filmmaker. In the end, I chose to make this film because it made me excited and felt like something I could do well while learning.

I think the biggest challenge while creating this film has been trying to put all these pieces together to create a flow and order that tells the story the way I want. There are so many moving parts within this project with the narration, shifts in time and experimental visuals, that the story itself was feeling confusing at points.

My other large challenge was casting and finding someone that matched who I had in my head. However, I think in the end, Ethan Binder was perfect for this character.


MEET THE DIRECTOR

Sienna Twiss is a third year at Drexel University studying Film & Television. She is an aspiring cinematographer and has worked on a handful of successful short films including a project featured in the Annapolis Film Festival. She has worked for several film production companies on the East and West Coasts including JTWO Films, Native Content, Wild Gift Productions, and Filmsters Productions. She will continue her filmmaking journey after graduating in spring of 2024 with a BS in film.

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

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"ALEX BLOM CREATES" BY JASE GIBBONS

"ALEX BLOM CREATES"


Director: Jase Gibbons

Alex Blomstrom owns and operates Alex Blom Creates, a clothing brand that aims to spread kindness and positivity. However, this isn’t always what Alex had in mind for her future.

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Alex Blom Creates has been steadily growing purely through social media and the videos that Alex creates to post on her social media accounts. My goal was to give her brand videos that could both elevate the visual style of Alex’s brand and also serve as hero videos for Alex Blom Creates. Each video highlights a different aspect of Alex Blom Creates: Alex herself, Alex Blom Creates’ brand principles, and the products that Alex creates. This gave me the challenge not only to create three videos that were similar yet unique enough to be watched back-to-back, but also that would fit in with Alex Blom Creates’ current visual style. This challenge is what drew me towards this project, as it caused me to think deeply about every creative decision.

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The largest challenge faced was working as a one-man band for majority of the shoots. All b-roll was captures as a one-man crew in small areas. All footage was shot on a 50mm film lens at f1.4 so focus had to be pulled manually, while also directing Alex whenever she was included in the shoot.


MEET THE DIRECTOR

Jase Gibbons is a DP and Editor dedicated to telling the stories of others. While studying film production at Penn State University, he creates films that showcase those who work to better the lives of others. Using an adjacent interest in digital analytics to promote different videos on social media platforms, Jase mixes the creative with the analytical to reach a broader audience.

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

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JTWO Welcomes Intern Joe Roberto

JTWO Welcomes Intern Joe Roberto

JOE ROBERTO


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Growing up most kids spend their afternoons playing baseball, soccer, basketball, or some other sport. My friends and I were not like most kids in the sense that we spent our afternoons making “movies” instead of playing sports. One Christmas morning I was given a little video camera, and I was hooked.  I would bring it over to my friend’s house and we would use it to create stories of epic proportions with brave heroes, evil villains, and tons of action. While we were too young to actually figure out how to edit, we were nonetheless passionate. As we grew up we began to stop making movies as it became boring especially if we could not actually watch them. This all changed once we got to high school. 

The first day of high school I walked into my final class of the day called media. I didn’t know it at the time but my life was about to change for the better. This class taught my friends and I all the skills we needed to make actual video content. As soon as we were able to write, direct, shoot, and edit an entire video we were hooked. We found ourselves spending as much time as possible in our media classroom and with our teachers in an attempt to learn as much as we could. We each began to develop our skills and push each other to create the biggest and best videos we could. 

When it was time for graduation some friends pursued work in other fields, and some pursued film. I felt unsure about what I wanted to do and so I decided to go to Immaculata University without declaring a major. Within the first five minutes of my intro to biology class it hit me that if I continued on this road I would never write, shoot, or edit a video ever again. That thought drove me to see an advisor, and by the end of the day I had declared myself an Interactive Digital Media major. From that moment on I looked for any and every opportunity to make videos. I began to shoot videos of almost anything happening on campus. I soon became the go-to video guy on campus for the next four years. 

Upon graduation, I knew I wanted to continue to expose myself to different areas in production until I am able to find what I like best. I was so excited when I found JTWO and saw the type of environment they foster as they work. I am ecstatic to continue to grow my skills while interning here.


This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

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Jtwo Welcomes Intern Brooke Gollmer

UNIVERSAL FEELINGS


By Brooke Gollmer

My name is Brooke Gollmer. I go to Temple University, and I will be graduating next Spring in 2023. I would like to focus on post- production, but I am a jack of all trades and a quick learner. I got into film making because I like to listen to people’s stories and find the synchronicities of life through the thoughts and feelings we have universally. The universal feelings that we have are what connect us to each other, so if you are observant of those thoughts and feelings, you will be able to present them on screen in a way people relate to. I believe that curiosity is important because it can reveal to a person a lot about what is around them, maybe even things that are always there and go unnoticed. Being passionate within the presence of our purpose is one thing I live by.

One project I finished in November truly defines who I am as a person and a filmmaker. My Air Conditioner broke, so the mechanic came to fix it. As he was fixing my Air Conditioner, let me remind you I have never met this man in my life, I was having a conversation with him, making him feel at home, and he asked me what I did. I told him I was a student filmmaker, so he asked me if I would film a music video of him to surprise his wife at their wedding. I said yes because why not. So, as he was fixing my Air Conditioner, he gave me his pitch of everything that he wanted to see within the music video. I listened and took notes, not knowing if he was truly serious about filming this music video, and we exchanged contact information. Still not knowing if he was genuinely serious, I made a storyboard with the vision he was describing to me and sent it to him.

I matched his vision pretty well, we ended up creating a short film before the music video which lead to the video being 13 minutes long, starting with the short film representing his wife and how she is a rose growing from a hard place, followed by a song called Flor Palida which he did a cover of changing it up a little for his wife. 13 was an important number for Reynaldo Deane and his wife, so I had to pay attention to detail and hid the number 13 throughout the video in subtle ways. He paid me for it, more than I asked for, which gave me the courage to say hey maybe I can do this storytelling thing for a living. I love to create and you cannot create without love. Finding love in everything will show that everything is already created with love, so if you re-create that love then it will be understood by the audience.

This project was created as part of the JTWO [INC]ubator Project. A semester long internship program built from the ground up to give young filmmakers, content creators, and all around hungry for a challenge individuals a place to stretch their creative minds while preparing them for the road ahead.

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JTWO Films a Philadelphia Production Company